Rosalind Lovelace Metaphors I Can’t Stand
Metaphors I Can’t Stand · No. 4

Rate Your Pain, One to Ten

Every doctor asks it. Every single one, every visit, clipboard at the ready: on a scale of one to ten, how would you rate your pain? And every time, I stall, because I honestly don’t know what they’re after, and I’ve come to suspect they don’t either. Two people squinting at the same trick question. It’s my least favorite item on the form, so let me have a gentle go at taking it apart.

One to ten of what, though? Nobody ever says. Ten is the worst pain imaginable, they tell me, which is no help at all, because my imagination is excellent and can always picture worse. I can always picture being on fire. So is everything short of actual flames a nine? A six? The scale has no ceiling I can find and no honest floor, and they hand it over like it’s obvious, like there’s a ruler we can both see and I’m just being difficult about the little numbers.

And whose ten am I even using? Mine has wandered off somewhere. The pain that would have been a screaming ten fifteen years ago is a regular weekday now, because I’ve quietly recalibrated, the way you stop hearing a fridge that hums all day. So when I say four, I mean four on my scale, the well-worn one, which is nothing like the four of the person who stubbed their toe last week and is also, technically, a four. Same number, different planet. The doctor writes down four, and we both carry on, neither of us entirely sure what just got recorded.

Then there’s the little trap tucked inside the answer. Say a low number and you’re fine, nothing to see here, take a pamphlet on your way out. Say a high number and suddenly you’re exaggerating, or you earn The Look, the one that quietly files you under dramatic. Somewhere in the middle sits a narrow sweet spot where you’re believed but not suspected, and nobody hands you the map to it, so you end up doing live arithmetic while in pain. It would be funny if it were happening to literally anyone else.

And the number flattens everything that actually matters. It can’t tell them the pain travels, hip today, hands tomorrow, like a houseguest who keeps switching rooms. It can’t say it’s the deep, bone-achy kind that hums everywhere at once. It can’t mention that I’ve lived with it for nine years, that it never fully clocks out, that the four I’m reporting will still be a four at midnight and waiting for me at breakfast. The whole shape of it gets pressed flat to fit one box on a form.

So when a doctor asks me to rate it one to ten, what I want to say is: compared to what, measured how, on whose scale, and which number gets me believed without earning The Look? What I actually do is pick a number, usually a calm, unremarkable five or six, chosen less to describe the pain than to keep the conversation going. They write it down, we both nod like it meant something, and I head out wishing the form had a little more room. A line for words, maybe, instead of one lonely number.